Directed by Banjong Pisanthanakun, Paween Purikitpanya, Yongyoot Thongkongtoon. With Maneerat Kham-uan, Witawat Singlampong, Apinya Sakuljaroensuk, Chon Wachananon. 4BIA is a Horror Anthology. The first segment, 'Happiness' is. BIA (2. 00. 8)Review by. Mc. Millin: Whether you’re talking about the original EC Comics like Tales from the Crypt and The Haunt of Fear or cinematic re- imaginings like Creepshow (1. Trick r’ Treat (2. Even well- received Pan- Asian horror omnibuses like Three and Three. With that genre truism in mind, it’s no surprise that 4. BIA – the 2. 00. 8 Thai horror anthology featuring four stories helmed by four different directors – isn’t exactly consistent. Even so, at least two of these tales are strong enough to warrant a viewing by any fans of the horror genre. While recovering from her injury, she starts receiving text messages from an unknown sender. Bored by her now- sedentary lifestyle and intrigued by the prospect of a secret admirer, she begins a text message flirtation with her anonymous suitor. Directed by Banjong Pisanthanakun, Paween Purikitpanya. With Maneerat Kham-uan, Witawat Singlampong, Apinya Sakuljaroensuk, Chon Wachananon. 4BIA is a Horror Anthology. The first segment, 'Happiness' is about a lonely girl who. Film Horror Thailand 2014 Subtitle Indonesia English Sub Full Movies Thailand Eng Sub Indo - Duration: 1:29:00. 4bia Kickass Kickass Score: 6 / 10 from 12 votes Release Date: 2008-04-25 Status: Released Run time: 120 min / 2:0 Production Studio : GMM Tai Hub (GTH) Production Country: Thailand. Watch Phobia (4bia) (2008) Episode 1 is a 2008, Thailand Movies. You can watch and download full episodes with English subtitles free at GoAsianTV.SE. The guy seems friendly at first, but the situation takes a dramatic turn when the two of them decide to exchange photos. To say anything more about the plot would spoil all the fun. Let’s just say that a vibrating cell phone has never sounded more terrifying. The way in which Thongkongtoon creates intense, almost suffocating suspense with nothing but a woman, a cell phone, and a single apartment location is absolutely masterful. Also, while films like the One Missed Call franchise have tried to exploit the cell phone as an object of terror, I’d argue that none of those films have done it as effectively as this one. And one can’t ignore the film’s zinger of an ending, which ties everything together nicely (Well, maybe not . Worse, the plotting seems a bit haphazard, the gore doesn’t really register, and the overblown, slightly amateurish CGI is a bit too cartoonish to be scary. It’s probably not fair to slam . Directed by Shutter co- director Banjong Pisanthanakun, . When camp is set up, they can’t resist telling ghost stories and scaring each other half to death. Things turn serious, however, when one of their friends disappears after being thrown from the raft. However, the missing friend mysteriously returns, causing his friends to wonder if their old pal isn’t quite himself anymore. The plot or the scares aren't all that revolutionary, but part of the fun resides in the fact that the characters are self- aware jokesters who act and react like many people would in a scary situation. The camaraderie amongst the actors is palpable, and the group’s propensity to spoil the endings for horror movies like Shutter, The Sixth Sense, The Others, and even non- horror films like Titanic is hilarious, if not strangely endearing. As much a commentary on modern Asian horror movie clich. It seems that Pim and the princess share a connection, which . Unfortunately for the princess, however, she soon kicks the bucket when she succumbs to a fatal food allergy. When the princess’s body is set to be returned to her native country for proper funeral rites, Pim finds herself serving the princess once more, as her body is transported back on the same plane as before. Pim is a little creeped out, but figures this’ll be the easiest flight of her life. Of course, she’s dead wrong. To be fair, it’s not terrible – the film is well- made and the . The main problem is that it just isn’t scary enough. Further, the unique setting isn’t exploited to its full potential, nor is the secret history shared by the two main characters. Instead of turning the banality of an airplane into a place of eerie doom, director Parkpoom Wongpoom relies on clich. It also seems to be a stretch that the princess’s body would be transported in the cabin, but I won’t quibble about minutiae. Ranking the films, I would say that . If you’re looking for some Asian horror that’s much different from the various Ring rip- offs of the past decade, you could do a lot worse than Thailand’s 4.
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